The Fine Arts Diploma is a specialist programme of study that covers the fundamentals and it also assist the students to develop the required practical skills in the field of Fine and Digital Arts. It also develops a critical awareness of the historical, contextual and social issues related to the practice. During your studies you will have the opportunity to use contemporary equipment and facilities in exceptional and professional designed studios, to be ready to enter the industry and become aware of and fully equipped with all technical skills.
During their studies, students will be provided with opportunities to utilize the college’s professionally designed studios so that they gain the technical skills required by the industry.
1. Academic Records
Official or certified/attested copies (plus official or certified/attested English translations, where necessary) of High School Leaving Certificate and Grade Report / Mark Sheet, or equivalent qualification with a minimum of 15 out of 20, or 7.5 out of 10 or 75 out of 100
2. English Language Proficiency
Computer Based TOEFL 71, IELTS of 5 or above, PTE 68, Password skills 5.5, GCSE or IGCSE level in English with a minimum grade of ‘C’, or the Freshart English Placement Test
3. Other Qualifications
Any other official or certified certificates or examination results
4. Portfolio and Interview (see guidelines below)
– Portfolio Guidelines
Applicants to the Fine Art Diploma are required to submit a portfolio of creative work that demonstrates their artistic potential, interests, and engagement with visual practice. The portfolio enables the College to assess the applicant’s creativity, visual awareness, and readiness to develop within a structured art programme. Applicants are encouraged to include approximately 8–15 pieces of work, which may consist of drawings, paintings, sketchbook pages, mixed media, photography, or digital work, where appropriate.
The portfolio should reflect creativity and originality, as well as a willingness to explore ideas, experiment with materials, and engage with artistic processes. While some level of technical ability is expected, this should be appropriate to the applicant’s level of experience, and emphasis is placed on potential rather than perfection. Developmental work, such as sketchbooks or work in progress, is strongly encouraged as it demonstrates the thinking and process behind the work.
Portfolios may be submitted either physically or digitally. Digital submissions should be clearly organized, include good-quality images, and be properly labelled where possible.
– Interview Guidelines for Applicants
All applicants are invited to attend an informal interview as part of the admissions process. The purpose of the interview is to provide an opportunity for discussion of the applicant’s portfolio, to explore their interests in art and design, and to assess their motivation and readiness to engage with the programme. The interview also allows the College to better understand the applicant’s creative potential and commitment to developing their artistic practice.
During the interview, applicants will be encouraged to discuss their submitted work, including the ideas, themes, and processes involved in its creation, as well as how their work has developed over time. They may also be asked to talk about their interests in art, including any artists, styles, or media that influence them, and the areas they would like to explore further. In addition, the interview may address the applicant’s reasons for applying to the programme and their willingness to participate actively in studio-based learning.
The interview is conducted in a supportive and informal manner and is not intended as a test. There are no correct or incorrect answers, and the emphasis is placed on the applicant’s enthusiasm, openness to learning, and potential for growth rather than on prior achievement or technical perfection.
Credits earned at other accredited colleges and universities or in accredited programmes are transferable to Freshart College. A transcript is required. Course descriptions, syllabi and textbooks used may be required to determine the subject covered. Courses are normally evaluated individually. In some cases, validation may be required in the form of oral or written examination, transfer credits may be provisional, and students may be placed on probation.
The College applies the principles of the Lisbon Recognition Convention where appropriate, ensuring fair, transparent, and timely recognition of qualifications and periods of study, unless substantial differences can be demonstrated.
For the evaluation of foreign qualifications, the College makes use of guidance and information provided by the national ENIC/NARIC centre and other recognised international reference sources, where appropriate.
Freshart College fully recognizes credits and learning outcomes achieved through Erasmus+ mobility activities, in accordance with the principles of the Lisbon Recognition Convention activities. Recognition is based primarily on the level of study and outcomes, rather than on formal equivalence of course titles or contact hours. Upon completion of the mobility period, students are required to submit an official Transcript of Records issued by the host institution.
The Registrar carries out this evaluation in consultation with the Programme Coordinators and the Academic Director
| Α/Α | Course type | Course title | Course code | Periods per week | Period duration | Number of weeks/ | Total periods/ | Number of ECTS |
| Semester | Semester | |||||||
| 1st Semester | ||||||||
| 1 | Compulsory | Introduction to Visual Arts | FA 101 | 3 | 55 | 13 | 39 | 6 |
| 2 | Compulsory | Fundamentals of Drawing | FA 103 | 3 | 55 | 13 | 39 | 6 |
| 3 | Compulsory | Painting I | FA 104 | 3 | 55 | 13 | 39 | 6 |
| 4 | Compulsory | Sculpture and Installation I | FA 110 | 3 | 55 | 13 | 39 | 6 |
| 5 | Compulsory | English Composition | BUS 009 | 3 | 55 | 13 | 39 | 6 |
| 2nd Semester | ||||||||
| 6 | Compulsory | History of Art | FA 102 | 3 | 55 | 13 | 39 | 6 |
| 7 | Compulsory | Figure Drawing | FA 105 | 3 | 55 | 13 | 39 | 6 |
| 8 | Compulsory | Photography I | FA 107 | 3 | 55 | 13 | 39 | 6 |
| 9 | Compulsory | Process and Project Based Art Practice | FA 108 | 3 | 55 | 13 | 39 | 6 |
| 10 | Compulsory | Art Studio Practice | FA 109 | 3 | 55 | 13 | 39 | 6 |
| Α/Α | Course type | Course title | Course code | Periods per week | Period duration | Number of weeks/ | Total periods/ | Number of ECTS |
| Semester | Semester | |||||||
| 3rd Semester | ||||||||
| 1 | Compulsory | Modern and Contemporary Art | FA 201 | 3 | 55 | 13 | 39 | 6 |
| 2 | Compulsory | Drawing II | FA 203 | 3 | 55 | 13 | 39 | 6 |
| 3 | Compulsory | Collaborative Art Practice | FA 208 | 3 | 55 | 13 | 39 | 6 |
| 4 | Compulsory | Digital Imaging | FA 205 | 3 | 55 | 13 | 39 | 6 |
| 5 | Compulsory | Illustration | FA 206 | 3 | 55 | 13 | 39 | 6 |
| 4th Semester | ||||||||
| 6 | Compulsory | Business and Professional Communication | BUS 010 | 3 | 55 | 13 | 39 | 6 |
| 7 | Compulsory | Figure Movement | FA 106 | 3 | 55 | 13 | 39 | 6 |
| 8 | Compulsory | Sculpture and Installation II | FA 202 | 3 | 55 | 13 | 39 | 6 |
| 9 | Compulsory | Photography II | FA 207 | 3 | 55 | 13 | 39 | 6 |
| 10 | Compulsory | Art Studio Practice II | FA 209 | 3 | 55 | 13 | 39 | 6 |
Year 1
Semester 1
The 1st semester of study is mostly investigational, experimental and research based, in order to start defining the perspectives of the fields of specialization. It will help the students to better understand their course specifications and values, and they will be introduced technically and conceptually to the course and to industry expectations.
Specialization Roles in the Industry and Design Development – Contextual Studies
The purpose of this module is to define specialized roles in the industry, expectations, and to develop necessary skills, such as defining personal career goals. Students will build critical skills, and learn about social, historical and cultural theories and practices, as well as how to prepare a personal development plan.
Art & Design Techniques & Idea Processes (part set assignment)
The purpose of this module is to develop a general understanding and knowledge of art & design areas, which will help students to distinguish the differences between the fields of specialization, as to create appropriate techniques and processes within the art & design fields and personal practice, through historical and contemporary research. The students will learn techniques on how to generate new ideas and possible solutions and they will evaluate the importance of discovering and connecting new media and materials to their working processes.
Semester 2
Material Exploration to Final Art/Craft Production
The purpose of this module is to introduce students into the wide range of creative disciplines associated with material exploration, new technologies and processes, as well as traditional methods and making crafts. They will use new materials, mediums and formats, and they will learn how to relate conceptual development to final work production. Thus, this module aims to develop students’ range of skills in traditional art practices, through experimentation with material, colour, surface, form and texture, allowing them to enter successfully into chosen industry. The module ends with the students’ first series of developed work, from the very beginning to the final presentation of their produced outcomes.
Year 2
Semester 3
Contemporary Art Practice
During the 3rd semester students will learn how to use traditional tools and techniques of creating (like drawing, painting, sculpting and printmaking), digital demonstrations (like photography, software design and film applications), and they will be introduced to art crafts, installations, film production and sound. They will also need to develop interdisciplinary collaboration and creative engagement through a mini project that will bring different field skills together from different art and design specializations. At this stage, students will identify their role in the creative industry, which will also be reflected in their personal practice by selecting and applying methods and techniques to own working practices.
Semester 4
Advanced Art Practice – Concept and Material Development
The final semester engages students in an extended study by developing an in-depth project that will allow them to establish their own art identity. They will learn the relationship between concept and material selection, and they will define their target audience. This module aims to carry out a full project cycle, including iterative development, in depth research and multiple material / media testing, pursuing feedback for extended development. At this stage, they also can expand their knowledge on industry requirements as they will be placed on an internship for a period. Work experience will prepare them for the transition from study to employment or to the next level/stage of study. At this stage, they will have the opportunity to develop and expand their concept, participate in collaborative projects and competitions, analyze and select materials and media for their work development and conclude to final outcomes where they will present/ exhibit professionally to public or chosen audience.
Introduction to Visual Arts (FA101). Students will learn key movements and techniques used for traditional and contemporary creations. Introduction to analytical approaches and theoretical background related to the development of visual arts in the modern and contemporary framework. Students will develop critical thinking in relation to visual arts and concept. Essay submission.
History of Art (FA102). This unit invests historical and contemporary art concepts as well as art techniques and approaches. It analyses in depth the art history since Renaissance until the 20th century. Students will examine and explore art movements gaining a critical thinking through discussions, on the stylistic, aesthetic development of art and be aware of the socio-historical background. Essay (lectures/seminars) patchwork submission.
Fundamentals of Drawing (FA103). The unit presents drawing values and techniques from life: visual skills, manual skills, techniques of measurement and comparison, allowing students to make use of traditional and contemporary materials. It defines methods of visual research supporting critical thinking and the improvement of visual/observational skills. Part/ Combined with studio practice work.
Painting and Printmaking I (FA104). Introduction to painting and printmaking applying the required technical skills for further development. The unit provides technical knowledge and supports experimentation and risk-taking through the use of different media. Part/ Combined with studio practice work.
Figure Drawing (FA105). The unit is based to human form studies. Students will learn to draw a proper figure from different ways of measurement and drawing techniques. It develops awareness of anatomy, skin texture and proportions in order to create accurate results, based to their research and observational skills. Independent or Part/ Combined with studio practice work.
Figure and Movement (FA106). The unit develops understanding on the notions of the figure and movement within contemporary artistic practice. It explores the concept of screen movement with the development of an individual language through drawing and induct students to basic principles of experimental animation. Independent or Part/ Combined with studio practice work.
Photography I (FA107). The Unit’s purpose is to provide full understanding of manual camera technology and to demonstrate the knowledge through digital photographic technology practice. It explores own creativity, ideas and concepts in preferable field. Part/ Combined with studio practice work.
Process and Project Based Practice (FA108). At this Unit students will develop their own project brief, and they will understand the significance of experimental work in order to achieve an integrated outcome. The unit includes hand – making workshops and lectures. Combined with studio practice work.
Art Studio Practice (FA109). The Unit provides the appropriate art studio environment to students, in order to be able to work professionally as artists. It promotes problem solving techniques and encourage students to use appropriate skills for modifications and work development, beneficial to their creative practice.
Sculpture and Installation (FA110). The Unit Introduces students to sculptural theory and practice through lectures, seminars and a series of workshops. They learn the rules and regulations for constructing sculpture and installations. Independent or Part/ Combined with studio practice work.
Modern & Contemporary Art (FA201). The Unit Introduce to the students the central ideas of 20th century, art movements and artists. It introduces analytical approaches and theoretical background related to the development of visual arts in the modern and contemporary framework, developing students’ critical thinking. Essay submission.
Sculpture and Installation II (FA202). The Unit analyze sculptural modes and methods in existing work. Students will build up their sculptural skills through an experimental approach to the media and in line with contemporary practices, applying the best results to their overall practice. Independent or Part/ Combined with studio practice work.
Drawing II (FA203). Students will develop further drawing and observation skills. The unit aims to present and refine principles of colour theory as and to support extended experimentation with various of drawing media and techniques. Independent or Part/ Combined with studio practice work.
Painting and Printmaking II (FA204). Students will build up their painting and printmaking skills through an experimental approach to the media and in line with contemporary practices. Through practical projects and the selection of a thematic, students will learn to adapt best results to their work development. Part/ Combined with studio practice work.
Digital Imaging (FA205). Introduction to the way digital imaging is used for communication purposes. Students will research and experiment with certain materials and media to examine the significance and the value of digital image in graphic communication. Independent or Part/ Combined with studio practice work.
Illustration (FA206). Introduction to illustration importance as a creative tool of communication. Unit aims to the understanding of the purpose and use of illustration as a visual communication tool. It analyses the way that an illustration transforms and changes the meaning of an image. Independent or Part/ Combined with studio practice work.
Photography II (FA207). This course is designed to provide opportunities to students to expand and make use of skills and knowledge gained in Photography I. Students will develop further their critical understanding and analytical skills of the relationship between photography, other media and graphic practices, visual art skills and the role of the technology. Independent or Collaborated project.
Collaborative Art Practices (FA208). Student will be able to understand the significance of collaborative art practices within the contemporary arts and creative fields. They will have the opportunity to be part of a group project and explore different collaborative arts methodologies. Collaborated project.
Advance Art Studio Practice (FA209). Unit provide an appropriate art environment with certain equipment and studios for students to work professionally as artists. Students will have access to library and research facilities in order to be able to do intellectual multi-disciplined fine art investigational research based on their interests as artists. It encourage students to be more self-reflective with their work and introduce them to further methods of visual analysis. Independent studio practice work.
Applied Art Education (FA210). Introduction to multiple arts and education practices focusing on expertized artists, teachers, museum educators, community facilitators and state cultural offices. Students will have the opportunity to realize formal and non-formal aspects of arts education. Independent or Combined with studio practice work.
Student performance is assessed through a combination of coursework, studio-based projects, collaborative projects, oral presentations, portfolio submissions and written assignments. Assessment methods are designed to evaluate both creative development and theoretical understanding.
In addition to tuition fees, students enrolled in the Fine Arts Diploma should anticipate certain additional costs related to materials, supplies, and study requirements. The following estimates are provided to support transparency and informed decision-making.
Art Materials (Core)
Students are required to purchase art materials, including paints, brushes, sketchbooks, and drawing tools.
Estimated annual cost: €200 – €300
Specialist Materials (Project-Based)
Depending on project choices, students may incur additional costs for materials such as clay, plaster, wood, canvases, or mixed media.
Estimated annual cost: €100 – €300
Printing and Presentation
Costs related to portfolio printing and final project presentation (e.g. mounting, boards, basic framing).
Estimated annual cost: €50 – €150
Software / Digital Tools
The required software is provided free of charge through the College’s computer facilities. Students who wish to install and use the software on their personal devices are responsible for obtaining the appropriate licenses.
Estimated annual cost: €0 – €200 (if applicable)
Additional Costs
Students may incur minor additional expenses for basic equipment (e.g. tools, storage devices) or educational visits (e.g. museums, exhibitions).
Estimated annual cost: €50 – €100
Important Note
The above costs are indicative and may vary depending on individual student choices, project requirements, and material preferences. The College provides studio facilities and basic equipment; however, students are responsible for their personal materials.
Progression rules
Students must successfully complete the required modules and accumulate the necessary ECTS credits in order to progress to the next semester and year of study, in accordance with the College’s academic regulations.
Graduation outcomes
Upon completion and graduation from their field of study, students should:
The student must complete 240 ECTS and all programme requirements. A minimum cumulative grade point average (CPA) of 2.0 is required. Thus, although a ‘D-‘ is a PASS grade, in order to achieve a CPA of 2.0 an average grade of ‘C’ is required.
Students have the right to submit complaints or academic appeals in accordance with the College’s established procedures. Detailed information is available in the Student Handbook and relevant College policies.
| Α/A | Name and Surname | Discipline / Specialization | Rank | Code | Course title | Periods/ |
| week | ||||||
| 1 | Penelope Demetriou | Painting, Art History | Lecturer | FA 102 | History of Art | 3 |
| FA 201 | Modern and Contemporary Art | 3 | ||||
| FA 203 | Drawing II | 3 | ||||
| FA 209 | Art Studio Practice II | 3 | ||||
| 2 | Giorgos Solomou | Sculpture, Visual Arts | Lecturer | FA 101 | Introduction to Visual Arts | 3 |
| FA 110 | Sculpture and Installation I | 3 | ||||
| FA 108 | Process and Project Based Art Practice | 3 | ||||
| FA 202 | Sculpture and Installation II | 3 | ||||
| 3 | Stefani Stylianou | Painting, Drawing, | Lecturer | FA 103 | Fundmentals of Drawing | 3 |
| FA 104 | Painting I | 3 | ||||
| FA 105 | Figure Drawing | 3 | ||||
| FA 106 | Figure Movement | 3 | ||||
| 4 | Stella Eve Nicolaidou | Photography | Lecturer | FA 107 | Photography I | 3 |
| FA 207 | Photography II | 3 | ||||
| 5 | Monica Cilmi | Painting, Drawing, | Lecturer | FA 109 | Art Studio Practice | 3 |
| FA 208 | Collaborative Art Practice | 3 | ||||
| 6 | Anthoulla Kounni | Graphic Design | Lecturer | FA 205 | Digital Imaging | 3 |
| FA 206 | Illustration | 3 | ||||
| 7 | Michael Grispos | English language | Lecturer | BUS 009 | English Composition | 3 |
| BUS 010 | Business and Professional Communication | 3 |